Werk Triad was developed in parallel with Werk One, not as it's continuation, but as it's counterpoint. Where the One embraced elevation, open spaces and a brighter, airy sound, Triad takes a grounded stance, visually planted, sonically deeper and defined by interlocking geometry.

The design draws on constructivist principles, using classic geometric forms that merge into a single composition. It's three-part structure, consisting of two lower sections and a seamless top, is joined by a multilayered weight that shapes uninterrupted artwork across the underside. Four interconnecting components, each with distinct coatings and materials, meet at precise tolerances, secured by a magnetic assembly that allows for tool-less separation.

While it's profile is more anchored, Triad maintains continuous curves across both top and bottom bodies, preserving the core of our design language. The reduced internal volume, combined with a deeper resonance chamber than on the One, produces a denser and more resonant clack without the use of foam. The magnetic assembly also forms part of a hybrid gasket array mounting system, building on the qualities that made Werk One feel and sound so distinct.

In spirit, Triad continues the pursuit of merging the bold optimism of mid-century futurism with an intricate sculptural form language. Where Werk One blended futurism with art deco influence, Triad follows a constructivist path, two opposing points on the same spectrum, each defining the other through contrast.